Make and Model: Though released in 2010, the J.U.S.T.I.C.E. CHRISETTE MICHELE AND DRAKE, “ASTON MARTON MUSIC” Overdrive: If you’re listening to this one in the car, maybe best to pull over when Womack’s voice frays just a little on the “I’ve got to keep my heart out of this/ And both hands on the wheel” part of the chorus driving through tears isn’t particularly safe for anyone. Make and Model: In her first Hot 100 hit, country star Lee Ann Womack speeds away from Dallas heading due north in the hopes of putting physical and emotional distance between her and heartbreak - though she finds the former unsurprisingly easier than the latter.įuel Economy: The chest-tightening ballad does a brilliant job of demonstrating the liberation that hitting the road can represent for those desperately in need of a second chance at life or love - though only up to a point. LEE ANN WOMACK, “A LITTLE PAST LITTLE ROCK” Overdrive: Banks became the early pace car for limber rhymes in 2010s hip-hop with the lyric, “I’m so fly, I’m so ferry and the way I flow is very/ Ginsu or machete, way my pencil move is deadly.” - DARLENE ADEROJUĩ7. Make and Model: A hip-hop classic from 2010, “Beamer, Benz or Bentley” finds Lloyd Banks and Juelz Santana lyrically flexing about all the perks of being fresh, fly and so damn high.įuel Economy: With rhymes and bars that flow as fast as a 500-horsepower engine, Banks and Santana’s raps perfectly ride the track’s electric beat. Overdrive: Rumors are that Mitchell wrote the song about Jackson Browne or Glenn Frey, but we owe whoever kept her waiting a debt of thanks for inspiring such lines as “Fast tires come screaming around the bend/ But there’s still no buzzer/ They roll on/ And I’m waiting for his car on the hill.” - MELINDA NEWMANĩ8. Make and Model: Mitchell turns waiting for her absent lover to arrive into a sonic masterpiece that sounds as innovative, ambitious and magical today as it did when it came out nearly 50 years ago on 1974’s Court and Spark.įuel Economy: Mitchell perfectly captures her fears that her once red-hot romance has turned tepid as her man is three hours late - and counting - but it’s the shifting tempos, bleating horns and choral interlude,all surrounding a funky beat, that keep the listener captivated. Go with Melody Loops to give your fashion show a polished, unforgettable music experience that takes it to the next level.Overdrive: “Who’s gonna drive you home tonight?” All the history, intimacy, trust and distance of a relationship in one six-word question from motorist to passenger. With this range, every fashion scene gets its own unique sound score, turning your show into more than just a feast for the eyes-it's a full-blown sensory extravaganza. Whether you're looking for upbeat pop to energize the runway or soothing classical pieces for an elegant touch, Melody Loops has it all. Our vast selection spans various genres, ensuring you find the right tunes to match your fashion show's theme and mood. Our easy-to-understand licensing takes care of all the legal stuff, so you can focus solely on crafting a stellar show. With the ability to customize track lengths, you can synchronize the music perfectly with each runway walk, enhancing the overall impact and flow of your show. Our diverse, royalty-free music collection is specially designed to meet the dynamic needs of fashion events. For a fashion show that's truly memorable, Melody Loops has got you covered with diverse soundtracks designed to wow your audience.
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